Thursday, March 19, 2026

32 thoughts on “Bass amp comparison.

  • The EBS, Orange and Hiwatt sounded the best, clear and punchy. I can't stand when a tube bass amp is farty and soft like the sound city and the marshall. At that point you might as well go direct in

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  • Great video format thank you! I enjoyed the Hiwatt the most. The JCM 800 was a close second.

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  • I'm listening again to both the clean and dirty samples and not looking at the screen and the Hiwatt(#6) comes in best again to me for both clean and dirty, musical and well-controlled. I can see now why these were such highly prized amps back in the day. I'm thinking of going with a modern Hiwatt clone, a Reeves custom 225 or a Hi-Tone DR200. They are expensive and heavy to carry around but I'm tired of fooling around with thin bass tone from my SS amps.

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  • i liked #2 (marshall JCM800) and #5 (orange AD140B) the most. I record mostly punk and metal. #4 would be good for stoner/doom etc.

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  • I reckon the reason the Hiwatt and JCM800 sounded best is down to the quality of the output transformer. You need a lot of good quality iron and copper for decent bass response, and this costs money. Usually, they're smaller and cheaper on guitar amps (compared to hi-fi amps, that is)…

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  • How hard can it possibly be to write the name of the amp on the screen instead of "amp 1"?! Duh… This is not supposed to be a guessing test, right?…

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  • 1. EBS Classic T90
    2. Marshall JCM 800 bass series (model 1992)
    3. Sound City B120
    4. Marshall JMP 1986
    5. Orange AD140B
    6. Hiwatt DR201

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  • Hopefully going to be getting a JCM800 bass on the strength of these soundclips. sounds surprisingly great clean.

    How loud is it compared to some of the other amps? also. what's the dimensions of it?

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  • I thought the Hiwatt sounded really, really nice. The Orange sounded too bright (in a bad way) for my tastes. The JMP had some neat grit on the clean channel. The rest were all pretty unremarkable one way or the other.

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  • Good comparative review . Thanks . Biggest thing I noticed is that only the newer amps ( Orange and EBS ) have any higher frequency presence. That is the ttzzztt that one might want for a funk sound. None of the sounds had a strong fundamental either . ( I know there was no equalisation applied )

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  • Great video! One thing has to be said about the "12 o'clock" default setting, though: Of course it's the way to go when comparing amps back to back. One possible exception would be the JCM 800's "slope" knob, which is simply a low-cut filter! AFAIK, the default ("neutral") setting is the "zero" position. Set at 12 o'clock, you already lack quite a bit of low-end, which is exactly what was originally intended in order to get a cleaner tone at high volumes.

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