Guitar Bracing Profiles – Shaping Acoustic Guitar Tone – Luthier Tips
Guitar Bracing Profiles are a great way to get some more control over the tonality of your next acoustic guitar build.
For more on bracing, acoustic guitar design, lutherie, and much more lutherie goodness – check out the full acoustic guitar design course here: http://theartoflutherie.com/the-art-of-guitar-design-online-video-course/
In this video, learn how you can influence the acoustic tone of your next guitar to give you more artistic expression and precise control over how it will sound regardless of the bracing pattern or guitar type. See the full post here:
http://theartoflutherie.com/shaping-guitar-tone-with-brace-profiles-luthier-quick-tips/
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Originally posted by UCJP-s3hzL3Hb3SM-liHw6cw at https://www.youtube.com/watch?v=pl52Xp-rc5I
Would you be more clear which are the treble and bass bracings located?
Problem is you can’t replicate the sound and shape with the next tone wood , and can’t demonstrate tone so we could hear the difference.
Hi, Tom, I dreamed one day, luthier can build an interchangeable soundboard where guitarist easily open the guitar soundboard with another soundboard (instead of using different guitar) to play different type of music. Also we need to find alternative tropical wood like fruit trees wood, Mango, durian, mongoesteen, jack fruit, teak trees for the soundboard , side and back, neck, bridge of the guitar. I did not find anyone try to experimenting the use of different type of fruit trees wood.
Thank you for the videos. The stiffness vs. beam height theory is explained by the Euler-Bernoulli Beam Theory. It involves the cross sectional moment of inertia (which is drastically different depending on the shape) and Young's Modulus, which is another variable in this equation, depending on material. Young's Modulus is the elasticity of the material.