Ted Greene’s Chord Chemistry: Master Advanced Chords (Part 3) – Dive DEEP & Play like a PRO!
In this third installment of the “Chord Chemistry” series, we dive deeper into advanced chord progressions and complex rhythm techniques that will transform your playing. Learn how to connect chords across the fretboard, explore extended harmony, and take your comping to the next level.
Whether you’re looking to play more expressively in jazz, blues, or even rock, this lesson has something for every serious guitarist. Don’t forget to check out Parts 1 and 2 to build a solid foundation! If you’re ready to elevate your guitar skills, grab your guitar and join me in this masterclass on chord chemistry.
???? ???????????????????? ???????????????????????????????????? ???????? ???????????? ????????????????????????: https://amzn.to/3zkAm3P
???? Want more lessons like this? Subscribe and join the journey: https://bit.ly/JasonCareyGuitarSubscribeYouTube
???? Any purchases through the links help support this channel—thank you!
You can join this channel to get access to perks:
https://www.youtube.com/channel/UCtF81_Q2xX9jDnNs5a4HEkQ/join
⏰ ????????????????????????????????????????:
00:00 Introduction & Recap
00:50 Advanced Chord Voicings Breakdown
03:24 Complex Rhythms & Syncopation
06:11 Chord Substitution Techniques
08:42 Applying Extended Harmony in Progressions
11:12 Tips for Seamless Transitions Between Chords
13:20 Summary & Key Takeaways
13:45 Next Steps in Your Guitar Journey
???? ???????????????????? ???????????????????????????? ???????? ???????????????? ????????????????????????:
‣ Chord Chemistry Part 1 – INTRODUCTION
‣ Chord Chemistry Part 2 – FINGERBOARD CHART AND STRING RELATIONSHIPS
‣ MORE COMING SOON!
???? ???????????????????????????? ???????????? ????????????????????????????: If you found this video helpful, please like and subscribe for more guitar lessons like this. Don’t forget to hit the notification bell so you never miss a video!
#GuitarLesson #ChordChemistry #AdvancedGuitar #JazzGuitar #BluesGuitar #MusicTheory #GuitarProgressions #ChordVoicings #FretboardMastery #JasonCareyGuitar
#Ted #Greenes #Chord #Chemistry #Master #Advanced #Chords #Part #Dive #DEEP #Play #PRO
Originally posted by UCtF81_Q2xX9jDnNs5a4HEkQ at https://www.youtube.com/watch?v=VSg-cDcDY7Q
???????????????? ???????????????? ???????????????????? ???????????????????????????????????? ???????????????? ????????????????: https://amzn.to/3zkAm3P
Isn't A major a highly unpopular key for guitarists?
The book I learned music theory from !!
Thank you????
Your volume for your voice is quite soft to normal volume (going up and down )
Amazing channel with very valuable knowledge, subscribers numbers should be much, much larger.
at 3:00, thats an Fsharp min 7, not an A6. very confused as to how you got this wrong
Hi Jason… Good stuff. At 5:45ish the reference to E9 is actually Emaj9. I prefer to use MAJ instead of the slash 7 / slash 9 too, because I'm always mis-interpreting it.
I don't see how a sus can be called an add9. Add9 means it doesn't have the 7th. The 3 is still there… if you don't say sus.. then the chord is gonna have a third making it either major or minor. I learned about triads first.. then 7th chords.. then the big one that really opened up all these extended 9, 11, and 13 chords was jazz shell voicing. Get rid of the 5th and play the 1 3 and 7. . it's not that important since almost all diatonic chords have it.. it's kind of implied. Then put your extentions on top of those.. 9, 11 and 13 are the same notes as 2,4, and 6 and are usually( not necessarily) played an octave above. Ted should have definitely put that fact in there considering the last video was was very basic fundamentals of the fretboard layout… can't just jump into extended chords without mentioning this imho… when I learned shell voicings, my guitar playing took off.. they're not just for jazz. Hendrix played 7sharp9. That's dominant because it doesn't say major 7. Dominant is flat 7. So the hendrix chord is a jazz chord it's not minor or sus so it has a major third, a flat 7..that's a dominant 7th shell voicing with no 5th and a Sharp 9 or 2 on top. I feel like I want to write a book on it but saying that sounds like the teacher on Charlie brown. People NEED personalized lessons where they can ask questions and get answers they want to know and things they need to be taught that they don't even know they NEED to learn.
All right… Watched the first two vids, subscribed and ordered the book (locally, sorry), and now paused till it arrives. Hopefully a good old hard-copy will force some dedication to this journey and lead me somewhere. Thanks for coming with this idea and see you soon!
Great video! Thanks for the upload
"Turn & run away". That cracked me up. Which is exactly what happened a few years back when I first bought the book! And yet with your lead now, I managed the D13sus with double fret / 1 finger technique. Feels like progress already. Thanks Jason!
the hero we need.
This is such a helpful and brilliant series. Thank you for doing this, Jason