Monday, March 3, 2025
GuitarGuitar Effects

Rig Rundown – Jason Isbell & the 400 Unit [2019]


Bursts, and Benders, and Js, oh my! A pioneer of the new Nashville sound and his tone-heavy tag team spend 90 minutes to cover the gobs of new gear that have joined their ranks since 2015.

Watch the episode: http://bit.ly/JasonIsbell400UnitRR
Don’t Miss a Rundown: http://bit.ly/RIgRundownENL
Subscribe to PG’s Channel: http://bit.ly/SubscribePGYouTube

Back in the fall of 2015 PG traveled south to the Tivoli Theatre in Chattanooga, Tennessee, to catch up with Jason Isbell, guitarist Sadler Vaden, and bassist Jimbo Hart. At the time, the band gave us so much time and so much gusto about their piles of gear, the resulting Rundown became the longest ever at 65 minutes.

Fast forward four years and now Premier Guitar’s Perry Bean finds himself onstage, surrounded by even more gear, at the historic Ryman Auditorium in the middle of Isbell’s annual October run. This year saw the Alabama native and his bandmates sell out seven consecutive shows at the Mother Church. And before the 4th night, we basically filmed a feature film spotlighting all the new inspiring additions to their arsenal and how it all further propels the 400 Unit’s sonic quest.

D’Addario XT Strings: https://www.daddario.com/XTRR

#Rig #Rundown #Jason #Isbell #Unit

Originally posted by UC5J-hZ4wNf7OlkzIn49LHoQ at https://www.youtube.com/watch?v=-j1BwYw7sXA

23 thoughts on “Rig Rundown – Jason Isbell & the 400 Unit [2019]

  • Can't believe I only just stumbled across this rig rundown. I love what a gearhead Jason is. And much as I have always loved his songwriting, singing, and playing, I think his response to the question of whether he tries to take it easy on the Red Eye just makes me love him even more. Guitars are meant to be played and enjoyed, not babied.

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  • just saw these guys last week in edmonton, all 3 are killer killer players….but my god Jimbo!!! never heard a bass player make those kind of noises before!! so fucking good!

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  • I told my wife at his concert in Köln that he is the prime example of a person that uses each guitar to get it's specific tone. If he pulls out a tele after playing his strat you are going to hear a tele vs strat sound. He doesn't change anything to make them sound alike. And that Red Eye sounds awesome.

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  • A custom Gibson Red Eye copy are still pricey, not because of high labor, but because of lack of tech and analytic skills amongst Gibson management. They are content to make money by marketing strategies rather than using innovative breakthrough technology to create vintage sounding gear at decent prices. The marketing strategies they use in place of technology and analytics is to create endless price tiers that vary quality and confuse buyers. And using cosmetics that effect looks but not sound impact quality for price conscious customers who don't understand Gibson's game adds unnecessary puzzles to the buying equation. But Gibson isn't listening, and neither am I next time some American president raids their factory or even closes it down.

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  • No wonder the audience had to stand — he patronizes Carter's, the Ferrari dealership of vintage guitars and music gear. (more money may be in that guitar case than most anyone in the audience's houses.)

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  • Audience stand up gigs used to be for looser bands. Promoters can't accommodate either a sound controled dance floor for small venues or theater seating for larger venues. Maybe its always been like that because of bedbugs or because of price margins. My granny said she thinks she remembers everybody standing at a giant cream concert in the sixties and the filmore and most concerts crowds would sit India style on bare floors.

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  • Where can I find the road cases for handling several guitars for the road and who makes them and where can you buy them?

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  • Does anyone know what happened to his D-18s? Seems like they've been scrubbed from the internet… I feel like I'm taking crazy pills out here

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