Rig Rundown: All That Remains’ Mike Martin & Jason Richardson [2022]
Full Rig Details: https://bit.ly/AllThatRemainsRig
A lot of bands are lucky enough to carve a career with one big hit. If they’re even luckier, they’ll ride the wave of an impactful album for decades. But for melodic metalcore heavyweights All That Remains, who are honoring their game-changing The Fall of Ideals with a full album play, it’s not even their most-popular record. Following on the energy and success of that influential 2006 album, they released five straight albums that landed in the top 10 of Billboard’s U.S. Rock chart.
The coal fueling All That Remains’ locomotive is their propulsive guitar work. The original firepower was supplied by cofounding shredmeister Oli Herbert who was originally flanked by Chris Bartlett. Current rhythm rifleman Mike Martin replaced Bartlett in 2004 and provided the classically trained Herbert a solid substratum to dance all over. That duo defined ATR’s harmonious heaviness, Gothenburg groove, and aggressive attitude for almost 15 years before Herbert’s untimely passing in October 2018 just weeks before releasing their ninth trouncing album, Victim of the New Disease. Since then, the band has continued with blazing flamethrower Jason Richardson (Born of Osiris and Chelsea Grin).
Before All That Remains’ May 10th headlining show at Nashville’s Basement East, PG’s Perry Bean had to pick his jaw off the floor and re-screw his skullcap on after seeing the amazing instruments both guitarists Mike Martin and Jason Richardson brought on tour. Martin detailed his beautiful PRS Custom 24s while Richardson offered a sneak peek at his second batch of signature Ernie Ball Music Man Cutlass models.
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[Brought to you by D’Addario XS Electric Strings: https://www.daddario.com/XSERR]
00:00 – D’Addario XS Electric Strings
00:15 – Intro
00:35 – Mike Martin Intro
00:54 – Touring The Fall of Ideals Anniversary
02:05 – Mike Martin’s PRS Custom 24s
07:02 – All That Remains Tunings
08:28 – Fractal Audio Axe-Fx III
11:49 – Jason Richardson Intro
12:11 – Ernie Ball Music Man Jason Richardson Artist Series Cutlass (Majora purple)
14:57 – Ernie Ball Music Man Jason Richardson Artist Series Cutlass (empress white)
16:15 – Ernie Ball Music Man Jason Richardson Artist Series Cutlass (Rorschach red)
16:33 – Ernie Ball Music Man Jason Richardson Artist Series Cutlass (Buckeye Burl)
17:22 – Dunlop Jason Richardson picks
19:02 – Fractal Audio Axe-Fx III
21:10 – Using Pro Tools live
23:36 – Jason Richardson’s Strings of Choice
#rigrundown #allthatremains #jasonrichardson
#Rig #Rundown #Remains #Mike #Martin #Jason #Richardson
Originally posted by UC5J-hZ4wNf7OlkzIn49LHoQ at https://www.youtube.com/watch?v=ZxazQhRVbdg
Full Rig Details: https://bit.ly/AllThatRemainsRig
Win Guitar Gear: https://bit.ly/GiveawaysPG
Subscribe to PG's Channel: http://bit.ly/SubscribePGYouTube
Don't Miss a Rundown: http://bit.ly/RIgRundownENL
Merch & Magazines: https://shop.premierguitar.com
Sick player
The presenter needs to stop interrupting these guys ????????♂️
I just got that Majora❤❤❤ insane top…really comfortable to play…neck is smooth and beautiful!
ATR gonna be playing in drop A? Holyyyyyyyy MOTHER…
I had a great conversation with Oli before he was taken from us after a pro session he did at a friends guitar store.
He was using the Kemper Profiler and talking with him convinced me to get one and I love the versatility and the accuracy of the tones.
But one thing I've struggled with is maintaining volume discipline when moving frtom profile to profile.
I have the Kemper Rack and use a Crown Macrotech 9000i to power my four Marshall 1960 cabs equipped with the Celestion Kemper Kone 12's for big shows and for more sane venues I use just a Crown XTi2002 for power and one Marshall 1960A with the Kones.
For some reason though I'll set all my volumes at sound check for all the profiles I'll use for the gig but they all go haywire if I have to adjust the power amp volume at all in mid show. No 2 profiles give me the same volume level once I change the power amp volumes so I'm constantly working my volume pedal or my volume pots on the axes when I switch profiles.
I experimented with the Kemprer for half a year and after a lot of pain and embarrassment, I went back to just using my JVM 410 heads in half stacks with the gold Celestion 50's. I use the Kemper in the studio and in controlled environments still but no longer for live shows. I have friends that swear by the Axe FX and I've been thinking that maybe I should give it a shot.
Cu24 with an adjustable stoptail ????
Jason is so tiny in front of Mike????
Such a sick interview/RR
Learned more about the interviewer than Mike.. Didn't come here for that
The choice for the white pups was a bad one…does not look good
How do you put EMG's in a PRS?
Answer: well first you take the strings off…
Uh uh uh uh
I have those picks. They're crazy good
Perry, you talk too much about yourself. And how much you know about gear. Dial it back brother.
Always will laugh at this hillbillie band
Complete agree on the Custom 24 with a TOM or stop tail… PRS would sell a billion +1… id buy that
That times of grace shirt ????????
John Frusciante next 🙂
Possum stew is always on Jason's rider.
This man knows how to take care of a guitar gah dam!