Friday, November 22, 2024
BassGuitar Tips & Hacks

Future House Bass Tips and Tricks – NI Massive tutorial


Get more Massive tutorials http://www.massivesynth.com

In this tutorial, Echo Sound Works shows you how to create a Future House bass sound in Massive that is a great starting place for adding interesting FX and processing.

Massive is a great synth for Future House, but sometimes it helps to spice things up with some 3rd party processing. I used Fab Filter Saturn to apply some saturation and then I used a special pitch shifter.

We should all have a pitch shifting plugin or two lying around. If you have one that has an FFT (Fast Fourier Transform) algorithm that can work miracles for a Future House bass.

Cheers

Echo Sound Works

#Future #House #Bass #Tips #Tricks #Massive #tutorial

Originally posted by UCf5UKh_cj2_5pUomhyswWYQ at https://www.youtube.com/watch?v=5AeSn_OhpTo

21 thoughts on “Future House Bass Tips and Tricks – NI Massive tutorial

  • The problem i have with Gecko kind of bass is that its out of tune ….How can i go around that? Tune the audio to keep the character ?

    Reply
  • Is there any chance you could give me an image of the melody to this base line or something? I'm trying really hard to get it right so that I can use it as a practice template, but I just can't seem to match it up to what yours is doing.

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  • I love and have learned so much from your tuts man, thank goodness for ADSR. I had a question on this, seeing as you tuned the first OSC down 64, and then later added a Sine for the sub, pitched down 12 steps, do you group and EQ them together, or would you still get rid of the lows on the main Future bass sound?

    I'm always confused as to how low to cut my main bass sound, and how high my sub fundamentals should be playing at. Also whether or not overlapping of fundamentals is ok, say a sub plays. For example say you play a G, the sub around 50 sounds great, but then if you play an F, the sub is so low, it sounds nicer at 100, but then both basses playing the same F at around 100 looses power, or muddies things up… Sorry didn't expect to expand on this question that much, but maybe you can help me put this one to rest.

    Reply
  • I'm trying to make a bass sound that I often hear used in today's music, but I've never seen anyone provide a tut for creating it – probably because it's quite simple? It sounds like a clean 60 Hz sine wave yet when I try to emulate it, I can never nail it… my attack rate is too quick or the end result is too muddy. The bass sound I'm looking for is like what's heard on Crywolf's songs Neverland or We Never Asked for This. Thanks!

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  • something is wrong with my routing i believe. when setting osc1 to filter 2 there is no output from osc1 at all. even with filt2 all the way up

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  • Hey ESW, sorry to post an unrelated-to-the-video comment, but I don't know of a better way to contact you:

    I was wondering if I could request another patch tutorial (the last one didn't work out, I guess, and that's totally fine). I've been trying for hours to create a 'modern' electro or trance lead. My reference tracks are We Are by Dennis Sheperd, and ILan Bluestone's Remix of Skylarking by BT – particularly the intro verses, which have similar, intense leads. The lead has a smooth quality despite its aggressive style, which is the part I've found hardest to replicate. I've tried recreating it using 1-3 layers of Massive and Sylenth (using mainly a multi-saw base with perhaps one of the weird waveforms in Massive underneath), but my ultimate problem is getting that smooth quality without making the sound come out really muted and blatantly lowpassed. I was really hoping you could help me out with this, since it's an interesting sound that I haven't seen anyone on YouTube or any forums cover.

    Thanks so much, and to repeat my previous comments, I really appreciate all your tutorials!

    Reply
  • Can you show how you chopped up the vocal and the processing on it. I liked that. Good tut per usual. Thanks.

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