Alemanda, Sonata No.9 by Zamboni and Lesson for Classical Guitar
Alemanda (Allemande), Sonata No.9 a by Giovanni Zamboni (c.1650-1721) and Lesson for Classical Guitar.
➔ PDF Sheet Music: https://wernerguitareditions.com/products/sonata-no9-giovanni-zamboni-pdf
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Sonata No.9 a by Giovanni Zamboni (c.1650-1721). From Sonate d’intavolatura di liuto Op.1. PDF Sheet Music arranged for classical guitar. Originally for archlute. Movements: Preludio, Alemanda, Giga, Sarabanda, Gavotte. Comes with both a notation-only edition and a tab edition. Left hand fingering. The level is advanced in scope and performance practice but the technique level is late-intermediate to early-advanced. This is a PDF Download.
Giovanni Zamboni (fl.1664–1721) was a baroque composer and lutenist. Zamboni performed and composed for theorbo, lute, guitar, mandola, mandoline and harpsichord. His published works include a number of madrigals but his lute output are found in his Sonate d’intavolatura di liuto Op. 1, which contains 11 Sonatas and a Ciaccona for the archlute published in 1718.
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Thanks for watching!
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#Alemanda #Sonata #No.9 #Zamboni #Lesson #Classical #Guitar
Originally posted by UCzBE550674K82Qfz7GQ_djA at https://www.youtube.com/watch?v=vmosNSr9tIc
Thanks for watching. My pdf sheet music edition for this piece: https://wernerguitareditions.com/products/sonata-no9-giovanni-zamboni-pdf
All my free lessons for classical guitar: https://www.thisisclassicalguitar.com/lessons/
You’ve made me a Zamboni fan with just the second video of his work I’ve seen of yours. And I’m not even a hockey fan. Beautiful piece and playing.
Hello maestro, I am curious if this guitar is your fairly expensive one (lattice bracing) ?
Both piece and lesson are nice to listen to. Seems Zambony deserves more attention. "Undiscovered" by a 21c listener.
I like the way you interpreted this, Bradford ????. Crisp and even. Reminded me of how Narciso Yepes interpreted Bach.
COOL
Just made my day…!Salamat Pô!
This is a very welcome edition of this lovely suite; the best I’ve come across. I’m not sure if this is orthodox technique, but for that tricky 4-3 descending slur in m.5, I find it helps if I plant finger 3 at the same time as planting 1 & 2. This helps anchor the 3 securely ahead of the slur, and makes it easier to stretch 4 well into the fifth fret. I can sustain 1 and 2 without much trouble.
What a beautiful piece. Thank you for the lesson as well. May I suggest to listeners: put on headphones!!! Unbelievable sound quality. Sounds like a studio recording. I know this is your work studio….
I like this composer. Nice and relaxing music.