Boss HM-2 + Whammy = Bluegrass?! Trey Hensley’s Acoustic Pedalboard
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Blazing bluegrass picker Trey Hensley explains and demos why he plugs his Martin D-41 into a heavy-metal-ready pedalboard.
In early 2023, PG’s John Bohlinger met up with the duo at 3Sirens Studio in Nashville, where they played some mind-blowing music, and gave a rundown of some of their favorite guitars and gear.
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#rigrundown #guitar #bluegrass #pedalboard
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Originally posted by UC5J-hZ4wNf7OlkzIn49LHoQ at https://www.youtube.com/watch?v=V5r-twFRpOc
Why would you take a amazing acoustic guitar and cover its acoustic tone with effects? Never will understand this. Just play an electric. Makes zero sense. Not against effects, but why on an acoustic?
Enjoy watching you ❤
This is perhaps one of the most artistically inspiring episodes ever!!
Seeing his Jerry sticker makes me wonder what Jer would do with today’s pedal technology… ????
another repete ?
Everyone else is saying positive things so I’ll be honest I love blue grass and martins but most of those tones with those effects sound like crap maybe just some reverb and delay would be better.
I never thought bluegrass and Swedish death metal would ever cross paths, yet here we are.
A killer guitar player. I really dig that he isn't affraid to take risks with effects and frankly: it works!
Buenos pedales
The metalzone is way more versatile than people give it credit for. It can be used as a boost and even get a fuzz tone out of it when properly dialed in….
Those HM-2 knobs aren’t set right
Damn. Thats the most bluesy pedalboard ive ever seen in my life. Great!
Not sure what the point of most of those effects (distortion, chorus) were as you've basically taken all the acoustic nature out of the signal at that point and you nights as well use an electric or something like a Godin or Fender Acoustisonic rather then a $5000 Martin dreadnaught
That being, said the Whammy and that auto-wah kind of actually work there
I really like guitarrists who tink outside the box, mad respect.
First