How a Good Guitarist Sees The Fretboard | Save 20 Years in 12 Min
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Originally posted by UCRC2cfHX4UzEoYWxiMOaBDQ at https://www.youtube.com/watch?v=EowT7sbyYWY
Unlock The Fretboard and Play With Total Freedom ????
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This is similar to the holy grail. Man I was born to early but I'm still glad to experience yt road of information at my fingtips!!!!
He sees it by looking at the front of his guitar. Its right there.
I see a kind of plank attached to he body and then usually I feel compelled to worry the wire attachments.
thanks very much! now i'm finally ready to become the next gary moore
Wow. This is really good. You’ve given me a fresh perspective. Well explained too. Subscription added????
I still don't understand.
Just excellent!!!!
Thank you so much for the clarity. Great lesson!
Thank you for this lesson Daniel. This is so useful to me.
Good lesson but start with the open note as the root to get spacing in mind and ear
Are you using a Boss SG-1 or a volume pedal along with some kind of shimmer reverb in this video?
The guitar sound great with the amp. And the lesson too
There's nothing "random" about frets. Move one, and see what happens in your ears. Learn theory, and the fingerboard, but by singing and then finding what you sang – but on the strings.
GBD is a Triad, not a chord ???? GBDF# is a Chord. ????????
Wow
There never was a time in which I saw “random frets” which makes no sense whatsoever.
That is a good exercise, too, another thing is to learn to "hear" how moving the order of the notes sounds. For a very basic example, playing a major 2nd versus a 7th, so E-F# where E is the lower note versus F#-E and then E-D# versus D#-E since the E-major scale has the sharps at F#, C#, G# and D#. Developing the ear is so under-rated – like the idea that if you play a fifth interval on the guitar the lower note/string carries the melody whereas playing a 4th interval means the top note/string carries the melody. Your open G-chord is a great example because if you let all the strings play that lowest interval is a major 3rd (G-B) but a lot of times players will mute the 5th string (open A) so now your lowest interval is the G and D, i.e. a 5th i.e. a "power chord".
Here's something I've pondered. I think learning the fretboard is a different process for someone who has little to no musical background and picks up a guitar as their first instrument, versus someone who, taking myself as an example, has/had substantial musical training and had the piano as their first instrument. I think cognitively it's a different process so for me one thing that helped was to sit at my piano with my guitar and basically "translate". So, what does an E-major root chord (E-G#-B) look like on the keyboard? Now, what is that shape on the guitar using the 1-2-3 strings, the 2-3-4 strings…up to the 4-5-6 strings? Now do the 2nd inversion, so G#-B-E, then the 3rd (B-E-G#) and same exercise.
In your opinion, is this a good thing or does it create problems? I'm genuinely asking, I don't know. I could see how one might argue I'm using the keyboard as a "default" and translating to the fretboard. I would say, perhaps at first, but the idea is to eventually "break free" of doing the mental step of translation until one sees the fretboard as "naturally" as the keyboard, which to me would represent the equivalent of an "epiphany". More generally, would you teach certain aspects of the guitar differently if your student had a background in a different instrument versus someone new?
Great lesson with an wonderful approach. Thanks so much!
Perfect way to understand!
I definitely am a slow learner but that has helped me understand what you teached here. Thank you.
Definitely need to know the notes on the strings. Great lesson.
Great idea for learning how to solo over chord changes through an exercise. Thanks.
Thanks
Guitarists will learn a LOT by playing up and down one string. Dedicate a week to using one string, then move onto the next. Memorise the names of the notes on every string. Most guitarists only ever bother learning the notes on the E and A string in aid of the classic barre chords. It's not that much work to learn the D and G strings, they're just 2 frets offset from the E and A anyway, the high E string is the same as the low E, so the only big outlier is the B string. Don't be lazy. Learn all the notes. A month or to at most and you'll have it on lock.
This is amazing, I cannot thank you enough.
You tone is muddy. Some of your tob] es wash together
This was excellent. Thanks very much. That guitar sounds fantastic BTW. I'm currently fiending for a 335!
Watched a lot of videos trying to figure out how chords translated across the fretboard. Always felt like I was missing something. This video finally filled in those gaps. Great job really breaking it all the way down for us dummies
thanx man..subbed
That is such a beautiful sound from your guitar and amp and effects. Very beautiful.
I have written an App, that allows you to see the fretboard, and display the note names/intervals/degrees and lots of other info, if Daniel ok with it, I can post, its free btw sot a sell.
Easy things are the most consistent. This is a master way to decode the guitar fretboard!
Thanks. Good tips. PS Are you using an EHX Attack Decay? The notes sound like they swell in.
This is a great lesson! Thank You!!
See Jimmy Bruno five shape videos if you really want to see the fretboard. This is not the way in my opinion.
thank uuu very much! the arpeggios was the piece of the puzzle that was missing for me. I'd spent two years practicing the triads and their positions on each string but never really unlocked the melodic part until now????
I guess I appreciate the utility of this as an exercise, I honestly shut the video off after 5 minutes as it’s just playing through chord tones of a Gmajor chord throughout the fretboard. Again I appreciate the utility of the exercise, my biggest gripe would be that you never answered the question in which the video is titled