Leccion No.66 by Sagreras and Lesson for Classical Guitar
Lección No.66 by Julio Sagreras (1879–1942) for classical guitar. Includes performance, lesson, and pdf sheet music.
➔ Grade 1 Repertoire Supplement Sheet Music (pdf): https://wernerguitareditions.com/products/grade1-repertoire-supplement-pdf
➔ Or see info at the blog: https://www.thisisclassicalguitar.com/grade1-repertoire-supplement/
➔ My Curriculum and Educational Outline: https://www.thisisclassicalguitar.com/learn-classical-guitar-education-series/
Grade 1 Repertoire Supplement for Classical Guitar. PDF sheet music in notation only with fingering with free video lessons. Contains ten works at the grade 1 level. This is a PDF download.
Lección 66 by Julio Sagreras (1879–1942), from Primeras lecciones de guitarra offers a good opportunity to work on melody and accompaniment balance and sustaining and changing chord shapes.
Info and Prerequisite – This book provides additional repertoire for students who have completed my Volume 1 and 2 method books and specifically Classical Guitar Repertoire Lessons Grade 1. No new concepts are introduced from the lesson book so these works provide students with an opportunity for increased refinement of musical skills, technique, reading, enjoyment, and more.
➔ This video was performed on a Douglass Scott classical guitar with Savarez New Cristal Creation strings and a Le Support guitar rest. See all my gear here: https://www.thisisclassicalguitar.com/classical-guitar-store-reviews/
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➔ SHEET MUSIC with VIDEOS: https://www.thisisclassicalguitar.com/sheet-music-for-classical-guitar/
Thanks for watching!
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Originally posted by UCzBE550674K82Qfz7GQ_djA at https://www.youtube.com/watch?v=_JK-RZFzbzM
Thanks for watching. Here's the link to my book: https://wernerguitareditions.com/products/grade1-repertoire-supplement-pdf
This is for use after my Grade 1 Lesson Book: https://wernerguitareditions.com/products/classical-guitar-repertoire-lessons-grade-1
@Thisisclassicalguitar I have a question on how to play scales or fretting the notes of melodic lines. I noticed that if I fret the 1st note using mere finger strength the other fingers aren't in ready position therefore I have to curl or draw back and manouver each of the other fingers to fret the following notes. This is tedious especially when we have to do fast runs. However when I fret the 1st note together with a grip hand strength the other fingers seem to curl along in somewhat ready position so much so that I just have to focus on the 1st note and land the rest naturally. This work well especially if you are doing 1234, 124, 134 patterns on the string. So what is the proper way to fret the guitar? 1) Manouver each finger to desired frets or 2) Focus the curl and grip on the 1st note to get the others to curl along and land the rest naturally? Which is the proper technique that should work best in the long run?
I actually really enjoy these "grade one" pieces, Bradford. Being played at a moderate level, they allow the guitar's tone to really shine through. Honestly, I rarely listen to "advanced" classical guitar pieces because everything often is played so fast that it sounds similar to electric guitar "shredding". (Not a fan.)
I see you are still using your Le-Support guitar lift. I'm on the verge of ordering one myself. I do notice (during this video) that you occasionally must give it a sight tug as it begins to work its way down your leg. Is that any more of a problem than other guitar supports you have tried? (I guess you were not using the strap in this video. ????)
Beautifully played, thank you.
I thank the LORD for your work. A true philanthropist. Thank you for sharing your Art.
Hi Bradford, been enjoying the series of studies you have been doing which are always very informative Bravo!!! (some very tricky) , I have also spent some time revisiting the sagreras books (orig ed) to tidy up technique and just for fun… and noticed how focused the early lessons (BK1) are on the use of rest stroke including in this one the melody line. I have always been able to pick out melody lines using a quicker or firmer free stroke or quieter accomp. Whilst i use rest stroke sometimes on single melodic lines i find this one particularly difficult to achieve the unison required between the bass and melody notes at the same time usually ending with a slight split between them. Any advice on whether this is aspect of playing is worthy of focus ? …. Number 67 is so much easier to employ the rest stroke as it sits out on its own ????