Line 6 POD Go Guitar Multi-effects Floor Processor Demo ????
More videos like this Line 6 POD Go Guitar Multi-effects Floor Processor demo ???? https://www.youtube.com/playlist?list=PLlczpwSXEOyawnqcGGaOafZ9vOf08KcMF
Shop for the Line 6 POD Go at Sweetwater ???? https://www.sweetwater.com/store/detail/PODGo–line-6-pod-go-guitar-multi-effects-floor-processor/?utm_source=YouTube&utm_medium=Referral&utm_campaign=fbybbLPArN4
The Line 6 POD Go pairs traditional controls with a large color LCD to let players interact with virtual amps, stomps, and cabs in new and meaningful ways on the Line 6 POD Go. Whether you’re running live FX into a stage amp, recording and re-amping through modeled amps and cabs, or outputting rich Helix-derived tones directly from the stage to the PA, the Line 6 POD Go has you covered.
After you watch, check out Sweetwater.com today for all your music instrument and pro audio needs! ???? https://www.Sweetwater.com/?utm_source=YouTube&utm_medium=Referral&utm_campaign=fbybbLPArN4
The price and simplicity of the Line 6 POD Go tailor this floor processor to players who have been on the fence about diving into the Line 6 ecosystem. With the Line 6 POD Go, there’s only a short learning curve standing behind the Line 6 POD Go and total integration with your rig. Who knows? Once you experience the freedom of gigging out with nothing but the guitar on your back and the Line 6 POD Go at your feet, you may never drag an amp out of your practice space again.
TheLine 6 POD Go eliminates the hassle of loading up and gigging out by giving you stunning re-creations of some truly timeless amp tones. Sag, chime, harmonics, dynamics, crunch. The Line 6 POD Go has onboard cabinet models, stompbox FX, and analog/digital outputs that equip the Line 6 POD Go to be the only piece of gear you record and gig out with, or one of several parts in live amp chain. Expandable features of the Line 6 POD Go include a headphone output for silent monitoring with the Line 6 POD Go, an FX loop for incorporating real-deal effects pedals with the Line 6 POD Go, and a dry amp output for monitoring through a live amp while sending modeled tones straight to FOH with the Line 6 POD Go.
With the Line 6 POD Go you can access a heaping helping of these iconic tones without the all-in size and price tag. Inside the Line 6 POD Go you’ll find 270+ Helix and legacy models of your favorite classic amps, stomps, and cabs. On the Line 6 POD Go you can mix and match these in endless arrangements for dream tones with the Line 6 POD Go.
As with every latter-day Line 6 floor processor, the Line 6 POD Go gives you bulletproof construction, eight tour-grade rugged footswitches, and a cast aluminum expression pedal on the Line 6 POD Go that’s rated to survive life on the road. Yet for all its strength, the Line 6 POD Go remains remarkably light and compact — the Line 6 POD Go is the perfect throw-and-go unit for a backpack or suitcase guitar traveler.
A drawback to lesser floor units is having to squint to see that one line of monochrome text as it flies by between patch changes. But not so with the Line 6 POD Go. The Line 6 POD Go has a full-color screen that reads out your full signal chain at a glance, and with the powerful backlight on the Line 6 POD Go it is easy to read even on a dark and hazy stage.
The Line 6 POD Go has an integrated expression pedal that injects the player’s heart and soul into every performance. From volume swells with the Line 6 POD Go and rotary accelerations to landing the perfect Mick Ronson cocked-wah sound, the expression pedal adds a ton of potential to the Line 6 POD Go’s powerful amps and FX.
The Line 6 POD Go gives you the tools you need to craft countless guitar rigs and recall them in a flash. Snapshots within the Line 6 POD Go don’t just let you pull up tones from a song — here you can set verse, chorus, and lead tones and access them on a section-by-section basis, all in real time with the Line 6 POD Go. Snapshots on the Line 6 POD Go is just another way in which the Line 6 POD Go can greatly enhance your performance life.
Floor units like the Line 6 POD Go excel in the recording environment. With the Line 6 POD Go you can track guitar parts direct into a DAW session in pristine 24-bit/96kHz stereo quality. Or, for greater expandability with, you track your parts dry and take advantage of the Line 6 POD Go’s re-amping capabilities for endless tonal variation down the road.
#Sweetwater #Line6 #PODGo
#Line #POD #Guitar #Multieffects #Floor #Processor #Demo
Originally posted by UC1kdsZUTDSW1BtsHEoYx4WQ at https://www.youtube.com/watch?v=fbybbLPArN4
Thanks for checking out the Line 6 POD Go! Don’t forget to like, comment, and subscribe if you enjoyed this video ???? Stay up-to-date on the latest gear and news from #WinterNAMM2020 ???? http://bit.ly/2FVyoaN
Ah – cause Yamaha bought Line 6.
Can you send in for Blue grass,and contemporary worship music
Well, it sure makes a lot of different sounds. But what I want to see most is how quickly you can change from one preset to another when playing in a cover band that plays a wide variety of tunes from the 60s to the 20s, rock, country, soul, disco, bro country, each song beginning within 10 to 15 seconds of the previous one.
I'm a Sweetwater customer. Started watching your video but after awhile, stopped. The postioning of the actual board is on an angle and can barely be seen what you're doing, as well as at other times, your hand and your Gtr neck is in the way.
I can always count on Mitch to give the demo I need ❤️
Having a camera pointed at the Pod's screen would have really helped. "See these arrows?" No, I can't.
just bought this as my first pedal lol, hope it slaps, i play deathcore. excited to see how it sounds. ????❤
Can this be ran into a 4×12 for gigs?
Wow well done demo
Always wanted one. Has amazing tones and variations.
This review was good showing functionality. But most of the sounds he demos are woefully lame. I've been using boutique guitar pedals for decades. I bought my first multi-effects pedalboard around 1983 – and I've stayed away from them because, for a long time, the effects tended to sound tinny and cold / lacked warmth. But being a dinosaur, and with modeling and digital units having come so far, I thought I'd look around and see the latest possibilities – without breaking the bank. What it really comes down to, for me, is what do the effects sound like? Are they high-quality or mostly gimmicky? I love effects, but I don't like fooling with cables between, etc. – so the digital chain, adjustments and pre-sets are attractive. After having used so many effects, I find I really don't need much more than a good delay, reverb, some modulation effects, fuzz, overdrive – gimmicky effects don't hold much appeal, as they aren't typically versatile.
Is it possible to turn off the amp modeler if you don't need it?
My only complaint about any of theses floor pedals – make a small wired or wireless remote that has the screen and controls that can be mounted on a mic stand. Who wants to bend down to make adjustments?
I'm surprised real amps even exist anymore.
I have the boss ME-70 and am looking for something with more.. idk umpf? Is this a good choice?
Are you by any chance related to Rory Gallagher?
A review of the Pod Go with Humbuckers, God bless you all
As someone with size 13 feet, there is no way id be able to easily hit one of those footswitches without also hitting 3 or 4 other ones. WAY too small to be useful unless you are hitting the switches with your fingers.
seems like yamaha pushing their products on all official demos. how did they get to sweetwater on that. sad
Does it have built in looper?
Does it have looper?
Love the camera color
All these reviews don't give you any sound quality result like how much bandwidth do you get – good bass mid and treble. In the old days going through pedals I found Ibanez to have the most bandwidth – Roland was very narrow and the first fuzz pedals- like the Big Muff were super skimpy on bandwidth. So where do Line 6 stand.
I had sworn off Line6 because of the over-indulgence in redundant fx, but they took my advice & scaled that back and focused on quality over quantity, I think I might take another look…Sweetwater is a fine company to deal with. great demo.
Does pod go have a setlist method?
Sounds so digital
This is a little long but if you're on the fence about modeling this could be a worthwhile read.
I bought one of these for late night practicing through headphones and the occasional fly gig/jam. It sounds so good to me that it has become my main rig, but there’s an important catch- I bypass the cab sims and put it straight into the fx loop return of my Bad Cat Cub 15R because, let’s face it, FRFR systems cannot recreate the “amp in a room” sound.
Although I’m not about to part with my Eventide H9, the effects on board are good to excellent. I’m still pretty floored by how uniformly great this setup sounds. Just so you don’t think I’m some easily impressed noob, I’ve been playing since the early 80’s and own or have owned great amps by the likes of Mesa (at least 6), Carr, Friedman, Budda, Fender CS, Orange, Rivera, Revv, and so-on. I’ve had my favorites from these brands and I can really say that the Pod Go into my Bad Cat’s fx loop return puts as big a smile on my face as any of the above amps.
Maybe I just got lucky and the Bad Cat just happens to “like” the Pod Go and it’s a great combination just by chance? Eventually I’ll pull out other amps to find out. I also think it’s important to mention that in my experience it doesn’t sound good into the front of an amp which makes sense given that you’re putting a modeled preamp into a real preamp in this scenario.
Modeling has really come of age IMHO. If you’re tired of lugging a big rig around and you’re intrigued by modeling but don’t like the FRFR experience you should consider this kind of setup. You may be very surprised. Oh yeah, the day after I bought this I got an email from Fractal as I'd been on their waiting list for the past 6 months for a FM3. With all the confidence that I was making the right choice and zero regret to date, I told them I was going to pass. YMMV
Picked up my Pod Go from my local music store a couple weeks ago. I replaced my Floor Pod Plus from 2010 that I used for gigs and recording. I run the Pod Go into the power amp section of my 1994 Fender "Evil Twin" when I want external speakers. I use it as an interface to record into Studio One. Killer amp models on board and I've imported a ton of free presets and IR's from the Line 6 website and various YouTube demo videos for inspiration. I don't miss the things it doesn't do due to DSP limitations; parallel signal paths, more than four effects per preset. I also don't need a Variax input or XLR outs (I can run into a direct box or use a 1/4inch to XLR cable). The amp and cabinets do not take up any of the four user slots, and there is a global noise gate on the input signal so you don't need to take up one of the four spaces with a gate. Overall, if you're looking for something to be able to grab and go for recording and gigging with killer tones and great user interface, this unit kills it.
MK
– You can see the double arrow on the pedal
– Nope
The POD Go has a USB outlet on the back; does it have a built-in interface that can go straight to my MacBook and record in Garage Band?
check out my hokie fake FM DJ voice! : )
Is it possible to wet-dry on L R output?