Monday, December 16, 2024
BassBass Lessons

Marcus Miller – No Treble


Marcus Miller

When word got out that Marcus Miller would be a featured artist at this year’s Montreal International Jazz Festival, I pounced at the chance to (finally) meet him for a conversation for this podcast. The good news is that this interview happened. Originally, it was slated for only 15 minutes (beggars can’t be choosers), but we managed to snag a little over thirty minutes with the bass legend.

Marcus is undeniably one of the most influential artists (and bass players) of our time, with a career that spans almost four decades. His distinctive bass sound has graced countless jazz and pop hits, making him a household name among music geeks. From classic tracks like Bill Withers’ “Just The Two Of Us” to Luther Vandross’ “Never Too Much,” Marcus’ contributions have left an indelible mark on the music industry.

During our conversation, Marcus reflected on his illustrious career, his influences, and his continuous passion for music. Growing up in Brooklyn, Marcus was surrounded by music, thanks to his father, a church organist and choir director. Initially trained as a clarinetist, he later mastered keyboards, saxophone, and guitar before ultimately finding his true calling with the bass.

Marcus’ professional journey took off in the 1970s, working as a session musician in New York City. His collaborations with legends like Miles Davis, Luther Vandross, and Herbie Hancock are well-documented, with Marcus playing a crucial role in shaping the sound of contemporary jazz and R&B. His partnership with Miles Davis resulted in the critically acclaimed albums Tutu, Music From Siesta, and Amandla, cementing his status as a groundbreaking composer and producer.

In our chat, Marcus shared insights into his creative process and the evolution of the bass guitar. He discussed the changing role of bass players, noting how the instrument has evolved from a supporting role to taking center stage in many contemporary genres. Marcus’ innovative approach to the bass, incorporating elements of funk, groove, and soul, has influenced a generation of musicians and redefined what the instrument can do. Marcus also talked about his experience with Sire basses, an endeavor that began with the goal of creating high-quality, affordable instruments for students. The success of Sire basses, known for their exceptional playability and sound, has exceeded expectations, becoming a favorite among both beginners and professional musicians.

Despite his numerous achievements, Marcus remains grounded and passionate about his craft. He continues to explore new musical territories, collaborating with talented young musicians and experimenting with different sounds and styles. His recent work includes composing for films and hosting his own radio show on satellite radio, showcasing his versatility and love for music. One of the highlights of our conversation was Marcus’s reflection on his live performances and the energy he brings to the stage. He emphasized the importance of connecting with the audience and the joy he finds in playing music live. Whether performing with his band or as a solo artist, Marcus’ powerful bass lines and engaging stage presence never fail to captivate audiences.

Marcus’ story is a testament to his extraordinary talent and dedication. His journey from a young musician in Brooklyn to a world-renowned bassist and composer is inspiring, highlighting the impact one can have through passion and perseverance. As Marcus continues to push the boundaries of music, his legacy as a pioneer in jazz, R&B, and fusion remains firmly intact. This was cemented right after our conversation when the Montreal Jazz Festival awarded Marcus with the prestigious, Miles Davis Award created for the Festival’s 15th anniversary in 1994 to honor a great international jazz musician for the entire body of his or her work and influence in regenerating the genre of jazz.

Enjoy the conversation…



Originally posted by Mitch Joel at https://www.notreble.com/buzz/2024/08/01/groove-episode-116-marcus-miller/

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