Saturday, November 9, 2024
BassGuitar Tips & Hacks

MARSHALL 1959HW SUPER LEAD 100W | THE Tube Amp.


With and without a VARIAC, BOSS SD-1, BOSS CE-5 & MXR EVH Phaser. Into Marshall 1960BX cab with Greenbacks & Creambacks.

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More info about the amp:
– https://idserver.marshall.com/amps/products/amps/handwired/1959hw
– https://www.musix.com/docs/s165163.pdf
– https://www.musix.com/docs/doc165265.pdf

★ New Cyhra album ‘The Vertigo Trigger’: https://cyhra.bfan.link/tvtglp
★ My second solo album ‘Shooting From The Hip’: https://bit.ly/3u69oo0
★ My first solo album ‘Easy Does It’: https://bit.ly/355a1o9

♠️ My Official Website: https://www.eugevalovirta.com/
♠️ My affiliate link to get a 10% discount from all BOGREN DIGITAL products: https://bit.ly/3qJallF or use my code EUGE230V
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♠️ Use the code ‘EUGETONE’ to get 50% off the price OTTO AUDIO’s crushing amp sim II II II II: https://ottoaudio.net/ | Download my II II II II presets here: https://tinyurl.com/Eugetones
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CYHRA:
● Homepage: http://cyhra.com/
● Listen / buy ‘The Vertigo Trigger’: https://cyhra.bfan.link/tvtglp
● Listen / buy ‘No Halos In H3ll’: https://bit.ly/2WV5Jep
● Listen / buy ‘Letters To Myself’: https://lnk.to/CyhraAR
● Merch: https://cyhra.backstreetmerch.com/
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● Instagram: https://www.instagram.com/cyhra_official/
● Facebook: https://www.facebook.com/CyHraofficial
● Twitter: https://twitter.com/Cyhra_official

RED WOLF:
● Listen / buy ‘Sessions Vol. 1’: https://bit.ly/3hGyeWW
● Facebook: https://www.facebook.com/RedWolfMETAL

Want to have the same gear I use? Please check out my Thomann affiliate pages:
● My current live rig: https://bit.ly/33vrCaS
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Or my Amazon affiliate pages:
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● Spotify: https://spoti.fi/2O7wb0r

Timecodes:
– Intro: 0:00
– The Song: 1:00
– Noodling: 3:38
– General info: 5:10
– Gear & signal chain: 5:36
– With a Variac: 7:04
– Without a Variac: 18:11
– With a Variac: 22:34
– Conclusion: 24:38

#marshall #plexi #amp

#MARSHALL #1959HW #SUPER #LEAD #100W #Tube #Amp

Originally posted by UCy8IvA7uzBTlzB2cdE6JnKw at https://www.youtube.com/watch?v=gX2WKHsq19k

29 thoughts on “MARSHALL 1959HW SUPER LEAD 100W | THE Tube Amp.

  • Euge, I’m on a waiting list for one of these amps, and your demo video is really making me insanely impatient.grrrrrr

    Reply
  • Amazing demo! My next head for sure… question: Why not use an attenuator (like a Rivera Rockcrusher) instead of the variac?

    Reply
  • Sounds phenominal, brother. I'm going to be getting a Marshall 1959HW like the one you have to add to my collection (JCM 900 Dual Reverb and a JCM2000 DSL). Can't wait to add this one in the mix. How are you running your delay? – Is it in the signal chain in front?

    Reply
  • Hello, I just found your channel and I am super impressed… you are an incredible player! I just bought a Marshall Bernie Marsden 1959HWBM and was surfing looking to find out more about the Amp. I also got the 212 matching cab loaded with vintage 30's… looking forward to hearing more of your videos…Btw, how do you like the WA Centavo? I have one and I love it. Thanks again, Mike

    Reply
  • Your video clears up in the myths about the brown sound … EVH's first Marshall was a Non-export 220v model 1959 Super Lead 100 watt head just standing idle at a near-by mission or worship-house. Supposed to be used as a bass amp, but feeding a 220 v amp with only 110 v results in no sound whatsoever, as the sinus-curve at the output section will cancel itself out.

    Reply
  • If you have a vintage style SSS Strat, be sure to try the Boss DS-1 (yes, the orange box 🙂 ) with the Plexi. DS-1 was the distortion pedal of choise for a Strat for the late, great Gary Moore. Well, I believe Gary's Plexi was a Super Bass instead of Super Lead, so it was a bit warmer and less aggressive. But probably, if you set the Plexi for a warmer, cleaner but already a bit driving tone, it'll be firmly in the ballpark. Possibly the bright cap might make things a bit difficult..or not.

    Reply
  • I have a ‘75 50 watter and it’s the sound at almost any setting. I love amps and have several but invariably I’m always dialing them to sound as much like a 6 knob Marshall as possible. The only one’s I don’t is a recto family Mesa because I got it to actually be a recto and not a Marshall and another Mesa that is my defacto vox/fender amp.

    What I just love about the old/reissue Marshall’s, is you plug in, get the EQ up there and tailor the bass to how high you set the volume and then it’s just adjust Vol 1 until you’re in your desired sweet spot. Playing edge of breakup and need more body, nudge up Vol 2. Pick boost of choice and you will just have the most record/live ready rock guitar sound there is.

    Boost for gainy leads and heavier rhythms, no boost for a little more jangle and dynamic rhythms, volume roll off for a great clean. No voicing switches, power selections, modes, push pull’s and endless tweaking to get the mids and top end where you want them. It’s just there and ready to go in as much time as it took to let the amp warm up. If I could only have one amp it would be a 1987 or 1959 Marshall, hands down.

    Reply
  • The for now out of production 1959SLP non handwired Reissue is a bit more aggressive than the handwired version (I guess I heard they are also aiming for different year specs – handwired 68 and non handwired 70s) Anyways, if you get the chance try that one also, it is equally insane ????

    Reply
  • OMG I just this "Bad Boy" JCM800 on Reverb for 3,000.. has one half stack.. somebody better jump on this I don't have the money unfortunately right now????

    Marshall JCM800 Original Classic Limited Edition Series Half Stack w/ Dark Green Tolex 100w 2210 Head and 4×12 Cab 1986 RARE

    Reply
  • Great demo and playing Euge and besides the Jubilee probably the best amp Marshall ever made! ????????

    Reply
  • I have owned and played many amps in my life, from Marshall JCM2000's to 800's, Old Mesa's and Orange amps, but my 1994 Plexi reissue is giving me goosebumps whenever I plug my guitar in

    Reply
  • I just wanted to comment. I like the jumper in the bottom I and top II inputs but I use the right II input instead of the left I. To me it sounds more modern and smoother but with equal amounts of gain. It's pushing the bass channel a little harder than the treble channel and there's only a very subtle difference. To me it's less harsh and sits in a mix much better. I feel it's more like EVH's early tone. The top I input is more George Lynch-Warren DiMartini style. Just my $0.02.

    Reply

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