Thursday, November 21, 2024
BassBass Lessons

SOLO PRACTICE TIPS FOR BASS GUITAR! | 251 Progression cont&’d ~ Daric Bennett&’s Bass Lessons


Start Your 3 Day Free Trial of Online Bass Lessons and Community here https://www.daricbennett.com/

Support this channel by becoming a Patron Here:
http://www.patreon.com/dblessons

Looper Pedal used in this Video: http://amzn.to/2rw7QDN

Hey my fellow bass players! In this lesson we’ll be discussing how to approach soloing over the 251 progression. This is a continuation of the original lesson, “The 251 Progression” expanding on what we’ve already learned and applying it to increase our improvisation skills and technique.
Take it slow and have fun guys!

#SOLO #PRACTICE #TIPS #BASS #GUITAR #Progression #cont39d #Daric #Bennett39s #Bass #Lessons

Originally posted by UCvUGrdDxtUBlxSi4Zl-HkqQ at https://www.youtube.com/watch?v=xs3POOlfdIY

28 thoughts on “SOLO PRACTICE TIPS FOR BASS GUITAR! | 251 Progression cont&’d ~ Daric Bennett&’s Bass Lessons

  • This is a really, really useful clip to begin with soloing for bass. I feel I'm lucky to find this video today; Thank you so much!

    Reply
  • At 10:30 min/sec of a 13 & 1/2 min video we begin the tutorial.
    Basically this video is 10 1/2 minutes of how to play a major and minor chord, oh and Dom. 251 kids. However he is fighting a cold. While I'm fighting the compulsion to troll and failing.
    And why does your hand wobble when sustaining a note. Don't say it's for vibrato because, shhhh,do you hear it. Nope, neither do I. If your going to do it do it. The visual asthetic without the sound is like, faking.
    That's it!!!! It's over? Dude!

    Reply
  • Damn son … I think I ended up more confused from all the: eh no hmm that, no sorry the eh, yes.. eh but anyway 😀 😀 😀

    Reply
  • O man, i actually learned something essential here!!! This should get me closer to were i should be in terms of theory…

    Reply
  • i've been learning my bass parts to songs with tabs from the internet. No thinking…just memorization. Soloing is going to change all that. And thanks for helping me find a way to another level.

    Reply
  • One of the things that make me keep waiting for your next video is that you always use an affordable gear@bass rather than the high end bass@gear in your videos which completely wosh off the concept off better gear@bass will make you play better… you all know what I mean.. nice video daric

    Reply
  • Just found you…have been trying to develope my soloing and this helped so much…subscribed and will have to check out more of your lessons. Thanks for a great lesson explained well and in a relatively simple manner!!

    Reply
  • Brother Daric, please give me some advice on how I can learn the notes of the fretboard. I've gone through tons of youtube vids, but nothing is working. Any advice would help.
    Thanks. -Phil, Naval Base Seal Beach, Ca

    Reply
  • A slow tempo of the progression can give a larger space to voice the ii-v-I harmony..ie, 8 beats per chord.

    That being said..we can use chord substitutions and their arpeggios, modal scales, plus different voicings ..to mix up note content/color per chord as the ii-V-I harmony progresses…for soloing, using 16th notes as a pulse

    So the ii-V-I modes, arpeggios, and scale fragments, can be cycled through the circle of fourths and fifths , also as an excircise..a pallette..of harmony AND melody as a progression moves harmonically towards the end of the improv, practice, composition…or even lesson????.

    The ii-V-I can be exploded to I-vi-ii-V-ii-vi .
    Then subdivided into modes , scale fragments, and arpeggios per interval of the progression , using 16th notes as a pulse within a slow tempo using 4/4 time.

    All of the harmonic/melodic subdivisions can then be cycled through the circle of fourths and fifths…for even MORE sonic territory to carve your solos through.

    We can break up progressions into modal scales.
    We can subdivide the chords by using its vi minor(relative).

    We can use arpeggios , scale fragments, and chord inversions for more color while progression moves.
    We can bundle all of this while cycling through the circle of fourths and fifths.
    …or any progression.

    ** Progressions within progressions, using chords within chords..cycling through fouths and fifths ..
    ..is what im trying to convey.

    **This is what my point is.

    **We can map out all this territory and just blaze through melody/harmony though circle of 4ths and 5ths.

    Reply
  • Pls Bennet for some of us that are new in Bass Pls call the note for us so that we will know how to practice it thank you so much

    Reply

Leave a Reply

Your email address will not be published. Required fields are marked *