Saturday, January 11, 2025
BassBass Effects

The $100 Queens of the Stoneage bass amp. Songs for the Deaf Go with the Flow Peavey Decade amp test


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Nick:
Kyuss: Fender Mexican Precision Bass, Rickenbacker 4003,
Peavey Decade
Fender American Standard Jazz Bass
Ampeg V4-b
Acoustic B600H Bass Head
Ampeg SVT classic head
Coles 4038 ribbon mic on Peavey decade
Orange Sp410 cab
SVT 8×10 cabinet Part 1 of testing the theory that this little amp was used on No One Knows, Songs for the Deaf, Go with the Flow etc

Josh:
“I’ve played the same amp since I was like 13 years old. I play an Ampeg VT-40,” says Josh Homme about the Ampeg VT-40 Amplifier during an interview with Kyle Gass on ‘Guitarings’

Univox Super-Fuzz
Collins 26U compressor
Peavey Decade combo for guitar and bass
Ampeg VT-40
Zfex sho but a lot of his gear is modified.
Older stuff he used Tube woks r22100 kyuss days
Fulltone ultimate octave Superfuzz
Klon Centaur
Pdf-1
Ovation Ultra GP guitar
Ampeg VT-22
Motor Ave BelAire Guitar
Epi Dot guitar
Fulltone FatBoost 3 FB-3
Marshall JCM900 100 watt “Blues for the Red Sun”. With Ampeg 8×10 cabinet
Boss ge7 eq
MXR 10 band eq pedal (old blue one on songs for deaf)
Gibson Marauder Custom
Dunlop Electric Nickel Wound Guitar Strings.
BC Mockingbird

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#Queens #Stoneage #bass #amp #Songs #Deaf #Flow #Peavey #Decade #amp #test

Originally posted by UCd_A29XG4JvzkyGNcuXcuiQ at https://www.youtube.com/watch?v=OUWEPxk_C04

21 thoughts on “The $100 Queens of the Stoneage bass amp. Songs for the Deaf Go with the Flow Peavey Decade amp test

  • 0:24 oopsie i used a 2×15 and not a 2×18 cab. Part 2 coming in a few days with a more in depth look at the options along with the No One Knows bass tone.

    Reply
  • You look like a new man these days bro!!,,,,been watching you for years,,,man, I know there's not much out there on his tone but Dave Carlo from razor said on his channel that he used a Roland cube amp,,,,,and if you listen to the shotgun justice album you can hear that he has to use a little bit of chorus,,,,but if you could do razor,,,that'd be ???????? awesome.

    Reply
  • Mine wasn't a bass amp but watchin you with this peavey reminds me of my bandit redstripe, for some strange reason these little peavey's was always chuffin loud and the crunch was always HULK SMASH,,, , .????????????????????

    Reply
  • In defense of throwing amps away, that little guy is a perfect studio weapon, but the reason it didn't get respect is that it was obviously a practice amp in the first place (is it even a bass amp? or is that a guitar amp?) and the very first gig you ever tried to play with it taught you it was WAY too small. Sure, it sounds big when you hook it up to an entirely different cab and then mic that to a recording. Everything sounds big in recording. But this little amp wouldn't hold down a garage very well, never mind a club, and there's a reason people moved on from it and forgot it. It reminds me of black metal bands using those ridiculous little battery powered "stack" amps in the studio, like sure, but not on tour you won't.

    Reply
  • And because Josh said what he said, these amps are no longer $100….
    As cool of an amp this is, people are mad to be asking $500????

    Reply
  • These were ubiquitous in every pawnshop I ever went to from the late 80s on, right next to the much less desirable CRATE amps. The Peavy Decade and Fender Eighty Five are better than they have any right to be.

    Reply
  • Trashy little amps can be fun, bought an Ibane GTA10 for basically the same purpose although it doesn't sound like the Peavey at all it's still fun to play and ratty sounding. It's just a lot of fun to make music on dirt cheap gear

    Reply

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