Friday, September 13, 2024
ClassicalGuitar

Thoughts on Hal Leonard&’s Guitar Method (book 1)


Hey guys my name’s John. I have been teaching multiple styles of guitar for past 9 years. I have read through and used many types of methods. This book is still my go to when teaching students. And I used it as well when I first started learning and although it works, it’s missing A LOT. Let me know what you think.

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About FTCG:
My name is John Cesar and I am a classical guitarist from New England. If you are reading this thank you so much for checking out my YouTube channel! The goal my trail is to share classical guitar content that I wish existed when I first started learning Classical Guitar. I have been studying Classical Guitar for over 10 years. Anyway check up on my videos if you were interested in learning more about classical guitar!

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Originally posted by UCdz6yL_SukeudSeksiYioTg at https://www.youtube.com/watch?v=uLHXIJpZDZQ

26 thoughts on “Thoughts on Hal Leonard&’s Guitar Method (book 1)

  • I used to play clarinet, played for 10 years as a child, and Hal Leonard is what I started with (with a teacher). I think it’s better for regular orchestral instruments and not guitar lol.

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  • I do not know why it would take ~ 2 years to get through about 50 pages of material for the first book. It would only be a year if you only managed to learn one page per week. But that aside, what method do you think is better? It is easy to find fault, but what about suggesting some alternatives?

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  • Has this guy even ever bothered to get a classical guitar? He is playing a steel string instrument and paying no regard to the basics of playing position.

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  • A couple of counterpoints –

    You mentioned "years of hard work" at the beginning of the video – I….don't know if you meant to state this, or if you meant more like months, but used the wrong term by mistake. It should not take "years" to get through the first book, even for the slowest of learners. My memory of my guitar lessons as a teenager back in the early 90's is somewhat foggy, but I think it was a couple of months of weekly lessons to get through book 1.

    Some of your observations of the weaknesses of this book are addressed in the subsequent 2 books of the series – like, playing in different positions – the books follow a logical progression from simple to more complex. Starting in first position and learning all your standard open chords and such before moving on up the neck is common in guitar methods for beginners. You admitted in the comments to not reading/going through books 2 and 3.

    The 3 books together represent a pretty logical progression from learning single notes on single strings, all the way up to chord progressions, keys, circle of fifths, etc. The songs that are used to illustrate and practice the skills and knowledge slowly increase in complexity. Adult learners I think do okay with the books as standalone without teachers – particularly with the wealth of supplemental internet resources nowadays. A young novice learner would definitely need to have access to a live teacher to fill in the gaps, and elaborate/expand on concepts. Beginner method books are probably most unappealing to teenage learners, as they typically lack patience for the "boring fundamentals" – and want to skip right to playing their favorite popular songs.

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  • I recently bought a guitar as a complete beginner. I started watching YouTube videos of those mentioned often as being the best courses. Most people said Justin Guitar is the best. I tried it but it was very difficult ie immediately he was teaching a 3 finger chord – crazy !! He should know it is almost impossible for a complete beginner to do this. So I bought the Hal Leonard book (books 1 to 3 in one book) and it is really great. There are a whole set of free YouTube videos by Nick Tolman (if you Google 'Nick Tolman music' under videos you will find it) that go through every lesson in the Hal Leonard method books. It is brilliant!

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  • I've been playing for years but never learned to read music. My guitar teacher is a classically trained guitarist who studied under Joe Fava and is using this book to teach me to read……OMG I don't know anything!!! In all fairness is depends on the teacher you have that is using this book. You can NEVER replace a teacher with a book. He has broken my bad habits and is holding my nose to the grinding stone. No pity parties with this teacher. He has also given me supplemental music along with this book.

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  • I’m teaching guitar soon, I’ll mainly use this book to tie in some simple music theory and using the staff, but I’ll also teach my own method which would depend on the students needs and experience, and help them explore their gear. Anyone have any tips or suggestions?

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  • How’s the online access ? Does it play the track without the teacher part? I have the Alfred’s guitar method and the online videos includes both the student and teacher playing and it distracts me from following along. Thank you ????

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  • People simply want to learn how to play music and I think that such methods book are geared to teaching a person how to READ music. YES it has some important information, but if you think, how many times will a person after they learn and go through such method books will they continue reading music just to simply learn a song. People nowadays want things fast and effortless. Thus cutting to the chase would basically more beneficial to the student. Elements that I think a method book should have in the effort to teach a person how to play music should be as follow:
    1) how to hold the instrument
    2) tuning the instrument
    3) training right hand to chords
    4) learning simple 4/4 and 6/8 rhythmic patterns
    This is not to say that you can add a bit of reading music notation, BUT again, this brings a whole lot of complex situation. People love to read chord charts instead of reading music notation. Such way of teaching would also focus more on the ear training and less time on reading music notation. REMEMBER, people want to learn how to play music, NOT be a MUSIC TEACHER. People want to have FUN playing music. Lastly, I think that by learning how to play music as quick as possible, the student may be motivated to go further. Thus reading music notation can then be taught. GREAT VIDEO.

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  • I couldn't disagree more.
    You either listen to music and learn to play by ear or you learn thru a book….add teacher if you like.
    Hal leonard, Mel Bay and others are about as simple as it gets. The information in the beginning is dry but they're trying to teach good habits. Check tuning before you play, holding the guitar correctly, holding the pick correctly. If you don't have the discipline to read and follow basic instruction you most likely will NOT stay with the guitar.
    Learning to play can be enjoyable and extremely frustrating all in one. The guitar is very unforgiving to learn and if you develop bad happens in the beginning you'll sound like crap and have a hard time trying to break them.

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  • I learned from records and players. I studied music formerly in high school and college while playing solo and in bands. You are expecting something a book can never deliver. The whole picture. The only time you get the whole picture is when you set a piece down in front of you and learn how to play it. I have used many books in the past but music is still the ultimate discipline, whether on the page or by recording.

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  • I bought a black sabbath book advertising audio content, but all it really comes with is a backing track with the vocals taken out where you can hardly hear the bass,…theres no selection for ONLY hearing the bass line…which is a hell of alot more helpful than a track with no vocals…dont get it,…could just listen to the song itself…the vocal absence isnt helping me at all….dissapointing

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  • You can do this! Never give up. Hard work pays off. 😀 Nothing is impossible through Jesus Christ ❤️ Just keep practicing and you will get better. “When you want to quit, think about why you started”- Someone.

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  • I actually love the Hal Leonard series I've used them for about 10 years and I grew up on book 1 myself. I find they are phenomenal for students under 10 years old or students who long term will get into classical guitar as it presents sheet music reading in a much simpler easy to digest way as opposed to something like the berklee method which by page 1 has introduced every single note in first position . The other thing is works well with is parents who want there child learning in a more formal way I find some parents think learning rock songs somehow appears less professional. I have had students go through all 3 volumes but I must admit after volume 1 they usually want to move on to other styles of music. I think you make some great points on the book in this video and it's great seeing other teachers use this method book.

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  • Hi Sir! Hope you are dong fine. I am not a beginner. I watch youtube videos to learn my guitar. And each song teaches me different kind of style. I know chords, and I play fingerstyle and some classical musical pieces. Now I am serious about playing guitar, so I wanted to buy a good guitar book. The ones on my mind are Ted Green's Chord chemistry and A modern method for guitar. Which should I choose ? It'll be of great help if you can reply, Sir. Thank you! 🙂

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  • I think this series works as a good introduction to reading music on the guitar and the student can then move on to a more thorough method such as Mel Bay or A Modern Method for Guitar by William Leavitt.

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  • Great review. I actually have this book (I laughed when I saw the thumbnail). I bought the complete edition which contains all 3 books in one volume. I had high hopes of completing it in one year, but I haven't gotten past the first half of the first book, and it's been over a year. I agree that I need a teacher because I need the feedback (e.g., am I playing this chord right?). However, I'm in my 50s, I work a full-time job, and I can come up with more excuses. As a result, I stopped using the book.
    My expectations are not to shred like Slash. I'd like to play simple songs and maybe even someday play with my church choir.
    Thanks to your review, I'm motivated now to dust off the book again. Incidentally, I have been practicing open chords, learning the location of the notes on the fret board, etc., but nothing resembling music. My problem is coordinating my fingers along the fret board at normal speed.
    I have hope: I learned to type fast and accurately when I was in high school (80s), and I thought if I could do this, I should be able to play the guitar. Like all things, it requires practice to learn a new skill and to retain it.
    Thanks again for your review and the motivation to play "Grand Finale."

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  • For the total beginners, there are no books for that. I uses my own method that works for all on how to read notes before any books like Hal Leonard.

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  • I've been teaching guitar for decades now both private and class lessons. Within that time I think I've used to some capacity most every book out there. Most method books are really not good, or intended, for self guided learning. Frederick Noad's "Solo Guitar Playing" states that you can teach yourself with the book and it's probably the worse one to try that with, though it's a great book with a competent teacher in private or class situations. For a basic style method book I thing Hal Leonard Method is pretty good. I like the complete one with books 1,2, and 3 combined. You do have to use it adapting to the student being taught with consideration to age, level, interests, etc… I have yet to find a book that I didn't need to supplement materials along with. Yes, note spelling and rhythmic exercises have to be stressed throughout, with a self guided student probably wouldn't do that. I look at this or any method book as just one of the tools to be used during the lesson, not as something to merely "spoon feed" the student with.

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  • I don't think this book is really meant to be used without a teacher. Many of the points you bring up are 100% valid, especially looking at the book from the perspective of a self-taught guitarist looking for information to learn how to play. But at the end of the day, the strength of any method book is going to be in working with a teacher and the method they use. Also – I personally think the last 2 pieces of the book are a big anti-climatic, and choose to end a student's work in the book at Minuet in G. It's a nice larger scale piece, played as a duet and has a finality of all the skill sets that a student could potentially learn during their studies. Finally, I think a better view of the method is to look at all 3 books together, and seeing how a student progresses through the full method. With that said, for me and my students it's merely a tool for us to use. We takes what's useful for them and ignore the things that aren't useful for us in our lessons. I'm always on the quest for the "perfect" method book that I can use with my students. I fell this is a never ending quest.

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  • I've been teaching out of both this and the Mel Bay book. It's great for kids who can't think abstractly yet. But I must admit that most of them will want to do playing that has nothing to do with these beginner methods.

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